It was over a year ago when Genevieve and I first met Molly Meng at Open Studios. We were both instantaneously drawn to this beautiful, small studio filled with gorgeous collages, tiny unique collectibles and boxes of photos. The room was full of interesting people and laughter. Front and center with a big smile and friendly eyes stood Molly Meng. Within seconds, Gen and I agreed. We adored her.
We both left Art Explosion confirmed in our decision to work with artists like Molly. She opened her door that day to allow others to witness the little stories she creates and shares through her collages and cards. She lives and breathes creativity. Her art is thoughtful, witty and simply gorgeous. I am so happy that she agreed to have us once again and to share her space and story.

Shelly - Walking into your studio is like walking into a little shop that you never want to leave. I just adore your space. You must love it!
Molly - I do love my studio! The community here at Art Explosion is really supportive and I really enjoy coming here. Sometimes I have to pinch myself that I actually have a studio: What a dream! It’s the space that has no distractions, other than getting lost in an old book or some-one's photo album. I know when I’m here, I can’t avoid work and once I get going, I don’t really want to leave! I think about setting up a little cot sometimes and just moving in....but, I like working from home, too, and if we had more space I would work from the apartment more often.
Shelly - So do tell! Your studio is full of photo albums and boxes of old pictures- what do you do with all of them?
Molly - Well, they inspire all of my work. My fascination with old photos started during childhood and time spent with my mother. She would pull out her old yearbook and she would point out people she knew and tell stories about things that they did and the type of person that they were. I started to do this with old photos, creating stories about the people in pictures and what interesting things were going on in their lives. This process has inspired much of my work. My friends call it “historical fiction.” I breathe new life into the photos, diaries and objects of the past by developing my own fictional accounts of their lives.
Shelly - I love this process Molly. I used to spend hours looking through my father’s yearbooks doing the same. So where do you find all of these photos?
Molly - I go to a lot of flea markets, estate sales and a lot are given to me from friends. I will get a collection from a sale and through all the photos will sometimes be able to follow one person’s life. There was one man in particular. I received quite a few photos of him and his family, as well as all family records: graduation certificates, divorce papers, school notes, doctor’s files. With a little exploration, I was able to find out more information about him and his family and discovered that there was quite a bit of heartache and complications in their lives. It seems sad to some people, but to me, it feels like a second chance or a way to elevate a life, infuse it with a public acknowledgement it might not have had before.
Shelly - So how actually do you use these stories in your work?
Molly - When I am in my studio and I am looking at all the photos and journals and ledgers and general ephemera, fictional stories just come to me. I have a ritual that I go through each time: Lighting the studio just right, choosing the perfect music, lighting a gorgeous candle and then diving in to these random objects. I feel like I’m seeing them for the first time. It is almost like a channeling process. I don’t feel like I’m making these pieces, honestly, it’s the energy from these objects that comes out and starts to create a new story. They give me some information from the past and then they give me their wish for the future. Every piece I make has a story behind it, one that wasn’t necessarily there before. I did a series recently that allowed me to create four different people’s lives, with a boxed collage representing each phase of their life. It was an amazing experience.
I don’t feel like people looking at my work necessarily need to know the story behind it though, because so often they create their own while relating to something in the piece. That’s actually more important to me, that someone can be swept up by a piece without the explanation. But, if they want it, I’m happy to go into it!
Shelly - That’s really cool. I can imagine hiding away for hours in this room making up stories.
So where do you find all the other amazing inspiring mementos in this space? Flea markets, favorite shops?
Molly - Throughout the year, I’m always looking. I often walk with my eyes on the ground because, it turns out, great finds make their way to the sidewalks and the gutters and the trash bins of the world. I love Aria, in North Beach and Gypsy Honeymoon and Community Thrift Shop, both on Valencia Street. The more off the beaten path, though, the better. I also travel to France for a month each summer and find a lot of fantastic, unusual ephemera there. My sister and I used to own a kind of vintage general store and dig through every back room of every weird shop we walked past here in the US, the UK and France. It’s where my collection really started. Luckily, I’ve been doing this for so many years, friends and family tend to knock on my door with their arms full of strange and fabulous photo albums, old books, a box of corks or a bag full of feathers.
Shelly - You have an amazing imagination Molly and just hearing about your process makes me love your work even more. I also love my collection of 8mm cards. I like to frame them and hang them on my walls. Where do you sell these? You also mentioned you have a few reps.
Molly - I do. I have some amazing kick [email protected]# reps that have gotten my line into some of the greatest shops in the US. You can also find my cards in SF at Serendipity in the Mission, Booksmith in the Upper Haight and Perch in Glen Park. There is a more comprehensive list on my website of stores that carry my work.
Shelly - I know your husband is super creative as well. How does he help in this process?
Molly - I could not do it without my husband Ryan. He has a film and photography background, so anything to do with the computer is up to him! He scans my small art works and actually makes them into the cards. He’s the one that has to constantly remind me that bird feathers don’t always translate to a card or break it to me that those little pencil lines I drew, and love so dearly, might not show up! He is super supportive and an integral part of 8mm Ideas.
Shelly - Not too shabby of a life Molly! Not one bit
Molly - I couldn’t agree more, Shelly, I’m really beyond lucky and loooove what I get to do.
You can find Molly on line at 8mm Ideas and the following list of blogs
alittlehouseintheclouds.blogspot.com
firstgirlattheparty.blogspot.com
thelastevidence.blogspot.com
as well as seeing her artwork on,
Mission Artists United